Yazdan Fotouhi: Now some people do not have the patience to make films / the difficulties of making historical monuments

According to a Fars Radio and Television correspondent, Yazdan Fotouhi in the “Serialist” program, with the performance of Pedram Karimi, which was dedicated to provincial serials this week, first said: They say that it is really hard work. In other words, trust in national networks was a little harder, but in the affairs of the provinces, friendship with young novices is more. I ask them to increase the budget for the affairs of the provinces, because directors like Ehsan Abdipour can be found among them. In fact, directors enter the field with first-class energy.

The motivation of young directors, despite the lack of funding, increases the energy of the works

He considered motivation as the most important factor in starting a project and added: “Now others do not have the patience or motivation to make films, but the motivation of young directors is high.” Provincial affairs do this, which means that a proper division has been made between young and old directors. The motivation of young directors makes them more energetic despite their lack of budget, and they try to make their work no less than the works of the greats they have in the important film networks. In fact, they want their work to be high enough to be broadcast on important networks. This motivation can be seen from provincial affairs managers to directors. In meetings, everyone tries to make the script consistent.

The writer and director introduced Darabi, the former deputy director of the provinces, as one of the main supporters of young directors in the affairs of the provinces, and said: “He always went on stage and filmed.” The lack of budget is always annoying in the productions of the provinces, a novice director definitely needs more opportunities to work, but due to budget constraints, he has to save two or three months.

Difficulties in constructing historical monuments

The actor of “Khandeh Bazaar” further referred to Hassan Najafi’s efforts to make the series “Jalal” in the center of East Azerbaijan province and said: “We were with Mr. Najafi in several festivals, he was very greedy and tried for this job.” Mr. Najafi was also well motivated. This series was also one of the works that, if it had more budget, would definitely have been made better than this. When you make a work about the beginning of the revolution, the subconscious costs more.

He added: “If you have the budget, you can create a series of streets in the town or elsewhere, but Mr. Najafi had to take a chromatic image in some parts, which was leaked in some places, and today’s TV audience is not deceived by these images as before.” These technical flaws of the film cause the viewer to be distracted from the series. We have the best cameramen and sound engineers right now, the more we can buy or make our own equipment, the better this position will surely be. Of course, at the moment, the discussion of serialization is slower so that more work is done on the texts and the stories become more consistent.

Referring to the name of Amir Hossein Sharifi as the producer and Kazem Masoumi as the director of the series “Days of Unrest”, Fotouhi said: “This work had an attractive decoupage and was able to tell the story well.” Good actors played roles in it.

The more competition there is, the higher the motivation

He introduced the provincial centers as the best opportunity to make telefilms: if telefilm work is done in cities and villages, less budget is needed. We have to give a field to the talented children of the cities. The more competition there is, the higher the motivation.

The director stated that because of his writing work, I follow the works of other colleagues: I saw a few episodes of the series “My Daughter Narges”. I think the result will be better if they have more time to pre-produce and more work on the script. Certainly the director should not have a problem with the script on stage, which unfortunately we are very involved with today. The director must be in the script. Many directors get the script after watching the film or watch it on a daily basis. So working on the script is very important.

A series that was made in the worst conditions of Corona but did not suffer from it

The director of the “Shortcut” series said that this series is one of my favorite works: “Good actors made me interested in this series.” Everyone worked well. We filmed this series in the worst conditions of Corona, where no series was made. Fortunately, no one was involved in Corona. In this series, we gave a different role to Siavash Cheraghipour, the role of Kamand Amir Soleimani was also one of the good roles. In general, its good behind the scenes created a good effect.

“Seventy percent of directing is done before the key is done,” he said. “The director has to work on the script and select the actor.” The day I wanted to make the shortcut, I said I would not make it if Reza Nikkhah was not the actor. If the director chooses correctly, he will go half way. Of course, we have not yet received our salary from this series.

It is surprising that Sheikh Tadi does a poor job

Fotouhi also explained about the series “Lady Sardar”: It is surprising if Mr. Sheikh Khatadi makes it weak. Lady Sardar, although you slept on the project several times, it was a strong work. It is difficult to put the project to sleep and collect it later. Currently, two or three interesting works about myths and martyrs are being written. The series “Guardian of the Earth” was one of the first series to be made about the environment. The “lost piece” was also one of the good works with the focus on combating the smuggling of products in Semnan province. The serial “Return” of Golestan Center in the genre of sacred defense, “Our Stories” in the center of Gilan, “Proximity of Paradise” produced by Lorestan, the series “Intrusive”, “The Last Morning” were produced in the center of Zanjan.

I owe my smile to Hamid

Fotouhi owed his activities to the late Hamid Labkhandeh and emphasized: The day I saw the camera was through Mr. Labkhandeh. In the movie “Blue”, my name was recorded in the credits for the first time. Hamid smiled very kindly and taught with love. I am thankful for his love for the rest of my life.
Emphasizing that we should pay more attention to the affairs of the provinces, he said: “The young people there are full of motivation and can do a good job. The script is very important and we should not skip it easily.” The director is the second stage of the project.

Making a series for Network One

At the end, the director announced the production of a series for Channel One.
“Serialist”, produced by Mohammad Barikani and Mojtaba Faraji and performed by Pedram Karimi, is a work of the History, Culture and Art Group of Channel One, which is broadcast on Thursdays at 11:15 PM on Channel One.

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