“Zirtigh” and a bitter, memorable titration / When the master performs a miracle – Mehr News Agency | Iran and world’s news
Mehr News Agency – Art Group – Alireza Saeedi: The titration function is something like a book cover Designer It tries to inform the audience of a work by choosing elements, forms and layouts with the help of graphics and music. Situations that sometimes present the audience with very punctual, thoughtful and calculated and sometimes so much Headline And it is made by performing a mandatory task that takes the viewer away from the base with a visual effect.
An excuse to return to the keyword “titration” again is an overview of the most enduring and The most memorable The music is related to some programs and works of cinema and television that contain bittersweet memories for many audiences, and referring to them again can bring us a world of memories in any situation. The memory game, which was welcomed by the audience after its beginning and publication on Nowruz 1400, made us dedicate our souls and minds to it in the form of a weekly memory game on Fridays every week, and from its passage to the years when we feel better than these painful days. Was, let’s go.
“Memory play with lasting captions” is the title of an archival report series with the same approach, which you can follow on a weekly basis in the art group of Mehr News Agency.
In the fifty-fifth issue of this media narrative, we went to the music of the TV series “Under the Blade” directed by Mohammad Reza Honarmand and composed by Hossein Alizadeh, who even because of the name and reputation of a selected artist such as Hossein Alizadeh was able to be one of the most enduring and memorable. سازترین Record music for TV series subtitles of the eighties. Durability that due to the music and melody under the influence of the film’s story content and the constant intelligence of an Iranian music superstar named Hossein Alizadeh was able to create a lot of atmosphere. Impressive For this TV series.
TV series “زیرتیغIt was one of the most popular TV series directed by Mohammad Reza Honarmand, which was aired on the One Sima network in mid-2006. This is a story series played by Parviz ف Regardless of the visual appeal that this TV series had for its audience, it was definitely the soundtrack and titration of a collection that, thanks to a great and inexhaustible name in Iranian music, was able to once again show the power of a composer to present “A Music”. Serve Effect “to show off Parastavi, Fatemeh Motamedaria, Atila Pesyani, Kourosh Tahami, Elham Hamidi, Siavash Tahmourth, Houshang Tavakoli, Fariba JedkarShabnam Moghaddami, Ramin Rastad, Negar Javaherian, Bahman Dan, Masoumeh Aghajani, Ghazal Saremi, Terlan Parvaneh, in front of the audience, Narration گر Part of the life of Mahmoud and Jafar Kargaran are a refrigerator factory and old and very close friends, who are about to have their children Reza and Maryam get married, get involved in an unexpected adventure and this is the beginning of a complicated adventure between two families.
This series was one of the series that due to its content, correct storytelling and brilliant acting of its actors, was able to become one of the most popular TV series at that time after airing a few episodes. A series that received attention even beyond the borders of our country and won five different awards at the Rome Television Production Festival.
But regardless of the visual appeal that this TV series had for its audience, it was definitely the soundtrack and titration of a collection that, thanks to a great and inexhaustible name in Iranian music, was able to once again show the power of a composer to present “a music.” Serve Effect “to show off. Show the power with the presence of an artist named Hossein Alizadeh وزانتی He gave the soundtrack and titration of the series “Under the Blade”, which in the absolute sense of the word was able to fulfill its mission as an important component of introducing the atmosphere of the series.
A mission with a Theme In perfect harmony with the story of the work, he showed once again that when the work is entrusted to the skilled, there are definitely better results than creating a work of art through teamwork and taking into account all the differences. احصا It becomes. Music that at that time contained a different sound that the audience at that time was less familiar with such melodies and music that was encountered in the face of serials.
This musical charm also went so far as to hand Invaders The work decided to release an album of the same name a while later with the accompaniment of Hamavayan and Pouria. Brotherhood Publish. In recent years, we can rarely find a form that is available to the listeners from a collection or a visual work of a separate album of its music, so that they can listen to the music of that visual work with more analysis and analysis. A framework that represents power Mandy Composer named Hossein Alizadeh with his unparalleled musical support and making several lasting musical works in various fields of albums and soundtracks, which makes him one of the few examples. Most Has introduced Iranian artists in the field of music.
Another interesting point that can be mentioned for the soundtrack and titration of the series “Under the Blade” was the performance of the piece “Mourning” which Hossein Alizadeh dedicated in the book 10 pieces for strings to the martyr Kamran Kalhor, brother of Kayhan Kalhor, our country’s leading musician. did.
Mohammad Reza, the artist and director of the series “Under the Blade”, wrote about this music album: “I have known Alizadeh for years. His deeds hold my heart and soul and he has separated me from the earth so many times that it is impossible to say. At midnight on December 26, 2005, while I was preparing the stage for his concert with Kayhan Kalhor, Mohammad Reza Shajarian and Homayoun Shajarian in the Great Hall of the country for the final rehearsals, he did not know that I was watching him the most and that I was sensitive to his slightest reactions. When I asked him to sit on the stage in his place, the lightning struck اش He took me too. But I knew that the Husseins were more restless without wanting to know They are faster. My patience that night caught him. The trap I had already set for him and he did not know. رامش I got up and slowly went under the razor اش I took.
Hossein Alizadeh in a part of his interview about working with Mohammad Reza Honarmand and the series “زیرتیغ“The series Under the Blade was a very good experience,” he said. I usually go to the movies and series that are being filmed. I went here too. The above team Extraordinary They were good and were together as a family. (People interacted in Ali Hatami’s films as well, and the scenes that were just being filmed were often tears in our eyes and we believed it. I also had good memories with Mr. Honarmand because he understood music اش It was good and did not put pressure on me. Ideas اش He helped me, he felt and he had fun.
Somayeh Ghazizadeh was one of the journalists and critics in the field of music and cinema who had recently written about the music of “Zir Tigh”: When Theme The main and the story of “Under the Blade”, which took place in the atmosphere of traditional Iranian families, its music must have had such an atmosphere, because it can not even be imagined, for example, to induce different emotions of the characters in different places of Used western instruments. For example, when “Mahmoud” kills “Jafar”, the voice bass guitar To hear.
Mohammad Reza Honarmand: I have known Alizadeh for many years. His deeds hold my heart and soul and he has separated me from the earth so many times that it is impossible to say So the first and most important reason for choosing a composer like Hossein Alizadeh to compose the music for this TV series should be found in its narrative content. Hossein Alizadeh with strings and setar, his children Nima and Saba with tar, rabab, kamancheh and قیچکAli Bustan with oud and setar, Payam Jahanmani with tar, Raheleh Barzegari and Pouria Brotherhood They were also constant members of this group by performing songs. Although reed players, violin and cello, violin AltoInstruments door knocker Oh you And تمبک They were also guest musicians from whom Alizadeh enlisted the help of his work. Pieces that were all based on the poems of Houshang Ebtehaj.
The music under the razor shows itself from the very beginning, that is, with the beginning of the credits, and establishes its position as one of the most important factors influencing the audience in his mind. What the initial titration of this series, which is a prelude to the whole story of the film and above all, creates fear in the heart of the listener, and what the final titration of the series, with the voice of the young singer Hussein Spring It has been performed under the name of “Yousef Passion”.
Anyway, listening to music under the razor once again reminds me of the memories of playing a good series like Under the Blade in the winter of last year, playing the roles of actors such as Parviz Parastavi, Fatemeh Motamedaria, Atila Pesyani, Siavash Tahmourth. This music has helped to instill a realistic atmosphere in the collection.
Although the series “Under the Blade” with all its strengths also contained criticism, but it must be admitted that this was a beautiful work by Hossein Alizadeh who, due to his abilities in the field of music as well as the dramatic aspects of music, to a melody for the title and soundtrack The series went on, which strongly smelled of Iranian culture and art, also in the form of music اش Due to the improper use of Iranian instruments and its dramatic format, it was able to make a lot of sense همذات پندارانه Oh you To create an enigmatic series for the audience to watch.
Music that once again showed the potential of Iranian music to its audience and showed what masterpieces can be created if there is creativity, thought and audience knowledge in the vicinity of a musical work.
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