“Ahrar” Haj Qasem’s idea for the evolution of “Ashrar” / They fell in love with Sardar – Mehr News Agency | Iran and world’s news
Mohsen “One of the most important periods that can be documented is the period after the end of the imposed war,” Islamzadeh, the director of the documentary “Fifty Years’ Fall,” told Mehr. At that time, Haj Qasim, in addition to being the commander of the Sarollah Corps, also commanded the Quds base, which included the security areas of Sistan and Baluchestan, Kerman, East Hormozgan, and part of South Khorasan.
He added: “I believe that those who have served in Sistan and Baluchestan and the southeast will be more successful in the Islamic world.” Because Sistan and Baluchestan is a special region due to its geographical location and the existence of different borders and ethnic groups and the model of establishing security. for this the reason Hajj Qasim’s service in that area later helped him.
The director of the documentary “Mr. Prosecutor” said: “I was looking to make a different work for Haj Qasim and therefore I was in no hurry to produce it.” First, I identified my ideas. On the way to production, I was attracted to the children of Kerman and found a suitable archive about Haj Qasim. I continued to follow the story of someone who was with Haj Qasim during the war in Sistan and Baluchestan and in Syria.
He added: “To achieve my goal, I searched a lot until I reached the martyr Mohammad Jamali.” He was the same person I narrated قشهام I needed him. He was with Hajj Qasim during the war in Kerman and the southeast, and later in Syria he accompanied Hajj Qasim again until he was martyred.
Islamzadeh about structure فیلمش Explained: Apart from archival images نابی Which we have from Martyr Soleimani and Martyr Jamali, نریشن We present the documentary in Kermani language and from the point of view of Martyr Jamali. In the Southeast, I researched sub-narratives to document diary and yearbook material. From the various narratives I heard and the people I found along the way, the documentary came to fruition until I finally got what I wanted.
The director of “Only Among the Taliban”, emphasizing the importance of improving the quality of documentaries, referred to the conditions for making a documentary about Shahid Soleimani and said: “I think a work should be made that can later be considered a valuable film.” For this reason, I tried to make a plan with this plan, and thank God, something good happened, because I introduced the character of Martyr Soleimani from different aspects. That is, apart from Haj Qasim’s friends and companions, with Repentance I visited the area where they used to be evil, and after 30 years, I saw what a positive change Hajj Qasim’s behavior has made in their lives. Of course, there were some who were sheltered by Hajj Qasim, but later they made a mistake against Hajj Qasim and were punished for their actions.
Creating employment for the wicked by Haj Qasim
Regarding the characteristics of Haj Qassem Soleimani’s command in the region, Islamzadeh said: “In Sistan and Baluchestan and the southeast of the country, people should be treated through interaction.” Hajj Qasim affected both the region and the region. The documentary I made seeks to explore this impact. Hajj Qasim’s good behavior caused him to still be treated with respect after many years. The interaction between Shiites and Sunnis in the region took place due to the correct command of Hajj Qasim. If the miscreants before the presence of Hajj Qasim, So much They were rude to demand a fighter! For example, an evil person would come and take the Nusratabad district hostage in broad daylight and take him out of the border easily and kill him in the most horrible way possible.
He continued: “In the documentary, we show how Hajj Qasim gradually cleared the region of villains and closed the borders to smugglers and did cultural work.” His way of commanding was such that all the villains in the area were disarmed, which was an important task. The miscreants were given a safe letter and Haj Qasim created a job in a project called “Ahrar”. In this plan, سرشبکه Smuggling, owner چاه The engine was on. The gunmen also accompanied their bosses in economic work. I talked to them in this documentary. They are fascinated by Hajj Qasim and some of them named their village Qasemabad. These actions are merely Based on There was no military behavior, and Hajj Qasim was known for his cultural work and presence among the people, and for this reason he became the “leader of the hearts.”
In the end, Islamzadeh said: “Considering that many documentarians in the southeast were looking to make a film about Martyr Soleimani, for the interview, I was more looking for those who had shared memories between him and Martyr Jamali, and I tried to portray Haj Qasim through the lens.” See Shahid Jamali. For this reason, I had a special focus on the city of Sirjan, which was the place where Martyr Jamali served. Of course, in the story of the Southeast, there is a world of the subject and many documentaries have to be made about him, but we tried to have a different structure and character of the film, which I hope will present a new narrative to the audience.
Documentary “Autumn of Fifty Years” focusing on the popular command of “Haj Qasem Soleimani” in the southeastern region at the Andisheh Shahid Cultural and Artistic Institute آوینی And One Sima channel was produced in cooperation with Kerman Municipality and produced by “Mehdi Naqviyan”. This 76-minute long documentary, during the presence of “Sardar Soleimani”; Man of Resistance Square in the southeast of the country between 1370 and 1376 From the tongue of one of his commanders In the name of Sardar محمدجمالی According to the narration, Martyr Soleimani was in charge of the Sarollah Corps in Kerman province and the Quds base in Zahedan at that time.
Other documentary elements of “Fifty Years’ Autumn” include Assistant Director: Hamidreza Majidi, Artistic Advisor Director: Alireza Attariani and Mahmoud گیوی, Director of Photography: Ali محمدخانیکی, Production coordination: Abdolreza Sheikh Shoaei, Hossein Kargar and Asghar دلفاردی, Photographer: Sajjad Esbaghi, Aerial Photography: Abolfazl Basiri, Assistant Photographer: Ruhollah Khaleghi, Editor: Mehdi Ansari, Color and Light Correction: Yahya محمدعلیی, Sound Design and Composition: Mohammad Hossein Ebrahimi, Research: Mahmoud Azizi Sound Recordist: Abolfazl Basiri, Author: محمدنصرت Khorezm, narrator: سید بهزاد Taj al-Dini, Administrative Affairs: Hassan Jafari, Poster Design: Sina Raitoost and Thanks From Fatemeh Behboodi; Author of the book “Autumn of Fifty”.
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