Behrouz Shoaibi; I was charged for the film without an appointment

Charso Press: Behrouz Shoaibi, last evening on June 9, on the sidelines of the screening of the movie “Without an appointment” during the screening of selected works of Iranian cinema in the Decade of Dignity, which was held at the Mehr Koh Sangi campus, said: What happened in this decade was not only the screening of films. Rather, a research work was done and we arrived at a calculation of how many movies we have and what their quality is.

He stated: When we raise the issue of Imam Reza (a.s.), it is not necessarily about him and his holy shrine. The subject is films with a spiritual theme and related to emotional themes. These films may later be seen in connection with another great character, so this result helps us to see how much continuity and continuity we have in this kind of film and in this spiritual cinema.

This movie director stated that my working, emotional, spiritual life and my relationship with the cinema in the movie without prior appointment is divided into 2 parts before and after the movie, and said: Without prior appointment, it was everything I intended from the experiences I gained. I have made it in the movie. The director is the first viewer of the film, and there is only one difference, and that is that he has the opportunity to bring each scene of the film to the desired quality and then show it. I tried my best to capture the best of each scene.

I feel a lot for Khorasan

Shoaibi said: It was a good thing for me without prior appointment with its various points and moments. I have a lot of sweat for this land, a double feeling for Khorasan and a lot of feeling for Khorasan’s art, music, poetry, literature and performing arts. If I want to work on another part of this land one day, I will try to get myself to the highest sense and information about that region. Regarding Khorasan, it was not the only effort, but the past that was present with me.

Without prior appointment, the director of the film pointed out that the most important emotional connection we have with our land is the presence of Imam Reza (a.s.) and stated: Imam Reza (a.s.) was a man of knowledge and a scholar who lived for a period in this land, trained students and definitely Their preference was to stay in this land, so our relationship with Imam Reza (a.s.) is not necessarily religious, but a broader and larger relationship.

He pointed out: One of our difficult tasks when making films is to ignore stereotypes and previous works and create that space for ourselves. In no appointment, we have a collection of works that are meaningful and religious. It was necessary to approach it with a new look and a new approach. Everyone communicates with spiritual and religious themes from his own point of view and the way he likes, and no instruction can force him to look in a different way.

This movie director continued: There is no reason to be happy when a religious issue becomes a slogan in society, because we were formed in a history of monotheism and we ourselves know how to be religious and communicate, religious missionaries can only code.

Shoaibi added: We should not be involved in the issues we hear. We must maintain our connection with our background and continue to adhere to our culture. The sign of this culture is in Khorasan.

The director of the film stated without prior appointment about the film: To narrate this film, we had to go through the lens of a person who is slowly coming to his past, a past of which a few drops of memory remain and he must understand it through a father. In the narration of the film, we had to see the space from Yasmin’s point of view. The name of the work was without appointment from the first day, because many of the events that took place happened without appointment.

Imam Reza (AS) is the connecting point of all Iranians

He said: Today, in a new way, Imam Reza (a.s.) is the connecting point of all of us Iranians, even though he may be the center of attention of all Muslims. One aspect of him is Imamate, but we don’t know many aspects of him because he was a great scientist in his era and had piety with expertise. I have sometimes observed that friends who talk about religious cinema do not deal with the fact that they are on the side of the technical and specialized stream called cinema. Cinema with a spiritual and religious form is a part of cinema.

Shoaibi stated that the film was made without a prior appointment with all the good things and difficulties, and said: Every film has its own difficulties, but for these films, the form of presentation is important and the audience must feel connected and secure. Whether an organization supports these films financially or not, they will be made in the end. Maybe if the relevant bodies don’t invest, these films can be made more easily. Sahat Astan Quds is not an investment in film. The cultural perspective of Hojjatul Islam Maravi helped us a lot, maybe this perspective and spiritual support of Astan Quds is very helpful.

“I have been accused many times that I received a big budget, while the crew and I received regular salaries and the cost estimate was reasonable,” the director of the film added without prior notice. I went to this square alone and was accused, which of course doesn’t matter, because these movies don’t have an expiration date. No organization supported this film and until the last moments we faced challenges in the form of presentation and screening.

He continued: I am accused that the film was commissioned, while the Farabi Cinema Foundation offered but did not order a sentence. Maybe we will pay for this. I am not going to make a profit from the film and the work, the work should make its own profit, which if it is good, it will profit over time. I would definitely have received more support with the smallest slogan, dialogue and cliché, but unfortunately, there was a movement against the film.

This cinema director stated: My preference is not to make such films anymore, but to make films for the audience that are screened and broadcast properly, the cinema hall is full and the cinematographer is satisfied, but I am sure that I will not stick to this word, in this What should I do with my concern and relationship?

Shoaibi added: Sometimes, people’s definition of cinema people is that they are a separate part of society, while this is not the case, because my family should be in this society, so it is wrong to say that we are not like other people, we live together. we do. I hope I can get very good budgets, but I promise to spend all those budgets on the film itself, not on my personal life.

Appreciate Mashhad Theater

The director of the film without prior appointment said: One of the interesting things for me is that this volume of theater is being performed in Mashhad at the same time. Appreciate the theater of Mashhad, the children of Mashhad stood up for theater and cinema.

The film was produced without appointment and directed by Behrouz Shoaibi in 1400. Mahmoud Babaei is the producer and Farhad Tawhidi and Mehdi Tarabbeigi are the authors of this work. Pegah Ahangarani, Mostafa Zamani, Elham Korda, Saber Abar and Reza Saberi have played roles in this movie. This movie was simultaneously screened with Arabic subtitles in another theater for Arabic speakers.