Decors that were broken and fell on us! / Puppetry is not tired – Mehr News Agency | Iran and world’s news

According to the correspondent of Mehr, Jesus یوسف‌پور Revolving puppet set of “small network” that combines work Real And it is a puppet and it goes on the air from Nasim network and explained about this collection.

this collectoin Characters There are different types of dolls and several actors accompany these dolls. this collectoin Real The puppet will be broadcast on Nasim Network from Saturday to Tuesday at 9 o’clock.

Continuing the conversation of Jesus یوسف‌پور You read about acting and working with puppets as a TV and theater actor.

* How many years have you been in the puppetry business?

I started working as a puppet in the theater, which happened in 1986. I also did puppetry on television since 1992, when I collaborated with the programs “Post Box”, “Julie Polly” and “Rattlesnake and Her Dad” as a puppet show.

* Puppetry takes a lot of energy so far Work Are you tired?

No, I’m not really tired yet. When the doll to Hand I have some cases I remember that my hand is still high and sometimes my friends even say to lower your hand bring cut have given. I also collaborated with the “Red Hat” program and some dolls, and I have been working on this for 35 years now.

* In your opinion, what has changed the quality level of the works?

Like everything, the quality level of everything has changed and fortunately we have made a lot of progress in this profession. For example, when there was a revolution or a war, puppets and plays were not a priority. material Dolls and equipment were not. The sponge with which the doll was made was of poor quality. Today’s facilities have changed and we have become more advanced. Really now material ها And there are doll making equipment that is so good that you will be surprised. Also, the lighting and the image and the amount of people’s budget and information have been improved, more books have been published and translated, the directing and filming sections, as well as Decor We made a lot of progress in all of this. The academic information and system for puppetry and puppetry has changed dramatically. When good equipment and sufficient and academic information نباشه Of course, I, as a puppet, can’t do a good job either.

* How many in your “small network” series Model Do you spin dolls with different techniques?

In “Small Network” we have a variety of doll techniques and doll forms. Before that, let me say that we have about 6 types of dolls: Batumi، Batumi فک‌زن, Gloves Or finger, cotton doll, doll بنراکو, Shadow dolls and several models other. In “Small Network” a puppetry style Batumi We have a female jaw and a kind of doll Batumi That in the hands of dolls Rods We say that Shake Eat and the woman’s jaw that touches the jaw اش That lips and His mouth را Shake Gives. The doll I am turning into is a hyena and its model is a jaw doll Batumi Is.

Dolls بن راکو I also turn that for which there should be a shadow on the back, we should wear black, ربنده To have black and so-called disappear in that black.

*Model Your puppetry is such that others say it is very creative Turning And you are so-called animating the doll.

I don’t feel like I’m behind for puppet hyperactivity می منم From someone, I either have to show myself a lot or do more work So money Get more. This hyperactivity and a lot of movement in the doll comes from inside me! From inside me And I’m going out! In some places I really allow myself to be silent and stare at the silence.

* From your experience in this program, what are the advantages and disadvantages of other parts of this program compared to other works?

See we get into everything we do دکوری There is. There is really a lot of money spent on decor and a lot of time spent on the studio and making it. The amount of money I owe as someone Corner I play and I think it’s a lot Microscopic And partial Thought And have not gone into detail. Someone might say that all these details were not necessary, maybe it could have been easier. Maybe someone will say in دکوری Made to this greatness, perspective is not necessary or someone else says it is necessary. In this work and the studio that I see, they care about depth and the decor is more real and when it becomes more real, it will be more attractive! They do not care about them in other programs and projects, and we have suffered because of this! For example, there was a place where the decor was broken and fell on our heads or it was not strong and we fell to the ground. But here and in the “small network” everything has the necessary standard and attention has been paid to the puppet and all the factors.