Director of “Motherless”: I did not make a philosophical and psychological film

According to the Fars News Agency cinema reporter, the press conference of the movie “Motherless” was held in the presence of the film agents in the conference hall of Milad Tower.

Seyyed Morteza Fatemi, the director of “Motherless”, said: “I was reading a book and imagining a child who is a child between two mothers, one is a blood mother and the other is a mother who raised him in every way.” The name of the movie is also selected based on the last sequence.

Fatemi, who wrote the script, said: “I did not intend to focus on the subject of ‘rent womb’, and I tried to ask people what their reaction would be if they were characters.

“Cinema and philosophy have one thing in common, and that is ‘self-questioning,'” Fatemi said. A question arises that is difficult to answer. Of course, I did not try to make a philosophical or psychological film.

He said about whether Amir Ali’s character has doubts about Dr. Nariman in “No Date, No Signature”: No. Amir Aghaei’s personal world is similar to Dr. Amir Ali Moazen in our story, and that is why he was chosen.

Fatemi said about choosing a child actor in the film: Amir Reza Jokar was a 5-year-old child and we were so sympathetic in the film, it made Amir Reza shine at this age.

The director of “Motherless” said about composing the film: “Bamdad Afshar had previously worked with Mr. Mesbah (producer of the film) and the music of” Motherless “was inspired by a Herati lullaby.

Mohammad Reza Mesbah, one of the film’s producers, said: “Minor corrections were made in the film.” For release, the film may reach a cleaner editing. Of course, the film does not have many problems in my opinion.

In response to whether the film “Motherless” is in line with the policy of childbearing, he said: “We are independent filmmakers and have nothing to do with government policies.”

Ali Oji, another producer of the film, said: “The production manager has an important role in the film, and I wish there was a place for the production managers in the press conference.”

He added: “I have a special thanks to Ms. Hajar, because they joined the film in a situation where we had little time and they cooperated with us generously.”

* The motherly spirit is blown in all women

Pardis Pourabedini also said about his role in the film: “The loving character of” Motherless “was very far from me, but if we see the pains of society, we can easily raise mothers in society with their children.” I also tried to sympathize.

She described the final sequence of the film as difficult and said that although I have not yet become a mother, I think the motherly spirit has been breathed into all women and we understand it. When we wanted to film the sequence, Mr. Fatemi played a lullaby and I cried with it.

Pejman Jamshidi, in response to a criticism that his role is repetitive, said: I do not look at cinema professionally and I play the role I like. I do not care if we have ever had something like it in Iranian cinema. Like so many things I loved and did.

Pejman Jamshidi, in response to a criticism that his role is repetitive, said: I do not look at cinema professionally and I play the role I like. I do not care if we have ever had something like it in Iranian cinema. Like so many things I loved and did.

Jamshidi said: it is too early to think about receiving Simorgh, because you have to watch the other friends play as well. But I swear whoever gets Simorgh, I will be happy.

The cameraman said about the view of most of the actors to the horizon: “Its name is not the horizon, it is” Lukrom “which is used depending on the situation, open or closed type.

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