From Destiny 4; Sohrab and Hashem in the way of producing knowledge-based

Fars News Agency – Art Group: “From Destiny” is the story of young people who have to take control of their own destiny without any help or support. At a time when, on the one hand, society does not accept young people who are anonymous and without financial and credit support, and on the other hand, they are involved in storytelling and personal life in addition to work. In all of this, however, this warm and strong friendship is the two main characters of the story that make it possible to overcome difficulties in difficulties and troubles, and the filmmaker has shown this friendship well with attractive story tensions so that he can have a tangible and believable image of society. And show the problems facing young people, both in the field of employment and in the field of marriage, and speak to their hearts. In the fourth season, “Hashem”, who was sent to prison at the end of the third season, is released from prison and his return to the factory creates new adventures for him and Sohrab. Like the third season, the issue that is seriously pursued in this season of the series is the barriers to domestic production for young people and the encouragement of knowledge-based production. Demonstrating Hashem and Sohrab’s day-to-day efforts and tireless spirit can be a model for young people who are discouraged and desperate to wait overnight instead of relying on knowledge and effort, the same mistake that Hashem made in the previous season.

This season, the filmmaker, along with the two main characters, has approached young people of different types to portray the problems of young people from other angles; From Heshmat and Reza to Minoo and Shahin. Heshmat represents young people who aspire to sing in Sardar but do not have the necessary facilities and knowledge to enter the profession. The filmmaker has included significant sequences of Heshmat protest songs in the form of rap reading in the film, which, of course, sometimes tires the audience. Reza is another young activist in the series who wants to leave Sohrab’s team in the middle of the story to help his wife and raise twins, but the filmmaker once again offers a suitable solution to solve his family problems by showing pure friendships. Shahin, as the son of Shahrokh Majed, is one of the young people added to the series this season, a boy who inadvertently bears the burden of his father’s guilt. Mansour’s treatment of him and his suicide to prove his honesty is on the one hand a blow to parents who ruin their children out of greed for the future life, and on the other hand it is a warning to adults who do not give young people the opportunity to prove it with pessimism. The differences and tastes of the new generation with their parents are well illustrated in Mino’s conflicts with Mina and Mansour.

It is worth mentioning that “From Destiny 4”, in addition to paying appropriate and real attention to the problems of the youth, by dealing with sub-stories such as Mr. Khandan and his interest in Kian’s stepmother, Naghmeh and Fariba inspections of companies or his wishful thinking disease has lost its rhythm. The main course of the story distracts and bores him. The script also pays inappropriately to the relationship between a non-mahram man and woman, in a way that makes comfort and joking with a non-mahram seem very normal. To joke with each other is a kind of disgrace of privacy with non-mahrams.

In the end, it should be said that “from destiny”, if he intends to continue to get rid of the trap of repetition and suffering from the fate of other series, he must think about himself or organize the lives of Hashem and Sohrab in the same season, and the end of the story Declare yourself.

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