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“Hamsran” was always in a good mood/ a musical note for Daei Kamal! – Mehr news agency Iran and world’s news


Mehr News Agency – Art Group – Alireza Saeedi; The function of the title is something similar to the cover of a book The designer It tries to inform the audience of a work by selecting elements, forms and arrangements with the help of graphics and music. A situation that is sometimes presented to the audience in a very careful, thoughtful and calculated manner, and sometimes Sad school And it is built on the fulfillment of a mandatory task that takes the viewer away from the basis of a visual work.

What became an excuse to once again return to the keyword “titles”, a review of the most lasting and the most memorable The music is related to some programs and works of cinema and television, which for many audiences contain bitter and sweet memories, and referring to them again can bring a world of memories for us in any situation. The memory game, after its launch and publication in Nowruz 1400 and the audience’s acceptance of it, prompted us to entrust our souls and minds to it in the form of a weekly memory game on Fridays every week and from its passage to the years when we are better than these days. It was troublesome, let’s go.

“Memories with lasting titles” is the title of a series of archival reports with the same approach, which you can follow on a weekly basis in the art group of Mehr News Agency.

In the ninety-seventh issue of this media narrative, on the pretext of the death of Ferdous Kaviani, one of the valuable actors of theater, cinema and television of our country, to the title music of the television series “Hamsran” composed by Bahram. Farmer We went that in those years when the titles and the music of the titles were not of much interest to those involved in television works, he was able to Destructive And in the literal sense of the word “different” to convey a good and joyful mood to the audience of those years of television, a completely calculated and purposeful framework in the design, which was in accordance with the story mood of the series, was a very suitable representative for watching a series that is in an attractive structure. And less seen, he tried to provide a new and hopeful meaning of the keyword “family” through his different stories.

Since the TV viewer at 20:00 on Wednesdays every week was waiting to see new and designed images from the TV channel antenna of those years and in the days when there was no news of new and digital channels, which was for the starter of a new and different TV series.

The images that first started with the display of the elevator floors and while the image only showed the actor’s legs with sports shoes leaving the elevator and the building, the music also started. The music that continued, in a strange frame, showed another actor with men’s pants and shoes similar to middle-aged men. A creative visual presentation that represented 2 characters from 2 different generations. Where that young actor running running To reach his destination earlier, he chooses a taxi, but the middle-aged man goes to work with the orderliness and calmness that is designed for his personality.

This music and images continue with a rhythmic music until the working hours of these 2 dignitaries are over and they return to their homes. A return that, like the titration routine of the series where we have not yet met the faces of the actors, leads to their simultaneous confrontation at the entrance of the apartment where they live, and after a pause and they look at each other and go to their homes.

Right here it’s here that the images of actors with their kind wives who offer them tea after a hard day are imprinted on the TV frames of our homes. People who thank their spouse and after a look Malih They share this laughter with the audience to the camera. A commonality that without a doubt, the music of the composer and of course the creative design of the title production team promises the audience to watch a series that, although presented with exaggerated stereotypes, contains the feeling that hope and peace at that hour of the day and night are the definitive achievement of a television series. Is.

To watch the title music of “Hamsran” series Here Click the

The TV series “Hamsran” was a TV series that was directed by Bijan Birang and Masoud in 1373 painter It was broadcast on Do Sima network. A series starring the late Firdous Kaviani as Kamal’s uncle, Mehraneh Mahintrabi as Kamal’s wife Mahin, Farhad Jam as Ali and Elham Pavehnejad as Ali’s wife Maryam and Kamal’s niece who are neighbors in the same apartment.

An apartment in Saadat Abad district of Tehran, which later became the location of “Khaneh Sabz” series and other series. The place from which the memory-making keyword “thanks to the respected Rajabi family” was born and became a place where we still remember the childhood and teenage series of the sixties when we pass by it.

The story of this series, which was aired in each episode with the presence of well-known theater and cinema actors, told separate stories, a story about 2 middle-aged and young couples who live in the same apartment. Kamal and Mehin are two older couples. Kamal is engaged in industrial animal husbandry and Mahin is a housewife.

Ali and Maryam live next door to each other as a young couple. A couple who were a symbol of the younger generation of Iranian society. Ali is a graphic artist and Maryam is also a housewife. Interestingly, during the main story of these two artistic couples, it is revealed that Kamal is Maryam’s uncle. A topic that Maryam did not know about this story, along with other stories in the series Theme It puts the main story of the series in front of the audience.

Among other points that can be mentioned about this long-lasting TV series, watching a successful experience and exception Another from the couple of Bijan Birang and the late Masoud painter It was that whenever they were together, they had experiences from they spent which was never achieved in their individual situations.

In the beginning, Gholamhossein Lotfi was supposed to direct the series, but due to the differences that arose, Bijan Birang and Masoud The role of the generation of composers like Bahram Farmer Undoubtedly, you played a role in the prosperity of the era of memorable television series effective And it is undeniable that they were able to rely on experiences and thoughts origin From their social and artistic knowledge, they should do great things and be able to watch the popular television series of those years. Cover Make memories last painter were the ones who directed the series.

“Hamsran” series, with all its criticisms and ifs and ifs, was one of the successful television projects in those years, with a view away from political and social events. Due to its social and morale concepts, it attracted many audiences.

A precious experience that, in a less experienced situation, chose the middle class of the society as the “target community of the audience” and by the way, it had a very successful performance.

A situation that is completely compatible with the life and human relations of the Iranian family components social and belief that later became the basis of many directors and artists in making series and was able to show the role of Iranian men and women in the life of an Iranian family on television, far from the exaggerations that we often find in the transmission of such concepts.

Naturally, if we adapt these components to the life of an Iranian citizen in today’s society, we will naturally face drastic differences, but everything that was depicted included valuable indicators that Oh you I wish we could see more productions in this field during these years when the neighbor doesn’t even know his neighbor anymore.

Naturally, many points can be made about the concepts contained in the “Wives” series, both in technical and social fields. The points that Bijan Birang and the late Masoud painter After making this memorable series, they mentioned them in their interviews and media talks.

But what has been noticed in this media report is the title music of “Hamsran” series composed by Bahram. Farmer It has been that al-Haq and fairness He is one of the most reliable and important composers, a memorable era of making serials, who was able to present significant works to the audience. Works such as “The Patriarch”, “Under the Blue Dome”, “Home Grandmother”, “Bitter Coffee”, “Ta Be Ta Tales” and a number of other TV series and series that find a different definition without music, and if their music was designed and produced differently, they might not have been so successful and lasting.

According to many experts and critics, the role of the generation of composers like Bahram Farmer Undoubtedly, you played a role in the prosperity of the era of memorable television series effective And it is undeniable that they were able to rely on experiences and thoughts origin Based on their social and artistic knowledge, they should do great things and be able to preserve the popular television series of those years in the frame of memories. Spirit-enhancing melodies that have decreased in number in these years due to the changes and transformations that we are witnessing in various fields of film and television productions and are behind a trend. It happened In order to get out of it, besides paying attention to the listening taste of the general audience, we should think better and more effectively.

This famous composer of cinema and television, who is always from Bijan Birang and Masoud painter As one of the most reliable artists in the context of creating different title music, he said in one of his media interviews about the story of the title music: Basically, my thinking is that to create the soundtrack and title in such works that have a contemporary atmosphere and urban life And all classes with different cultures and tastes are present in it, all styles and contexts that can be used should be used to achieve the goals of the image, that is, the goals that should go hand in hand and be reflected in the music to support the music philosophy of the film. […] On the other hand, in my opinion, the fantasy look is the salt of this model of work. You should be able to draw the audience’s attention to you while the film continues to move.

This signature composer, who at one point of time decided to organize concerts with the music content of the series “Hamsran” and “Khane Sabz” after making and producing the soundtrack album, was in another conversation referring to the role of the producer and director. In making a quality soundtrack and credits, he said: I think that many of the agents who have to produce the works of art do not have the ability to recognize who is the right person to compose a work, and unfortunately, this makes the music of many films It is not suitable for the scenes of that movie or it does not have the necessary quality of a movie music in general. When the producer and director of a work does not understand the music and does not know the value of the soundtrack, it cannot be expected that the output of the work will be acceptable. […] University education is not important to me, but it is important to me that my opposite party has a correct understanding and knows what he wants and is also proficient in his work. Many of the directors I worked with have different voices Synthesizer They didn’t know how to brake a car because they never listened to music and music doesn’t matter to them.

Farmer It was in the final part of this conversation that he admitted: During my activity in Iran Part of I was not a system and I don’t think so Part of No system. I am in the field of music Part of I was and am independent people. I have not had a warm back to the system, nor have I been familiar with it. Basically, I can’t go to work with a relationship and getting to know someone. It is a fact that if one is not connected somewhere, one is riding a wave. One moment is in front of the eyes and one moment is not. However, I’m not unhappy and I think independent composers like me who know what they’re doing will never be removed forever. They may be underemployed for a while, but there is always work for them. I hope that the works that I have produced and will continue to produce will remain in people’s historical memory and the next generation will also care about it.

This well-known cinema and television composer explained about the music of the series “Hamsran” in one of his special talks: At that time, Mr. Bijan Birang and Masoud painter corporate establishment They had made advertising works and I wrote the music for their works; Because advertising teasers should be a musical idea in a very short time effective You were transmitting to the viewer; This was a very good experience for me. Then these two loved ones announced that they want to make a series called “Wives” and I announced my readiness. The mentality of Mr painter It was because there are 2 families (from 2 generations) and at the same time they have conflicts, they have reached a peaceful coexistence with each other, the music should be a fusion of this story, the music of the wives was worked with this idea. Of course, the tar solo was performed by the late Shahriar Friosphy they performed.

Anyway, no matter how much we narrate the memories and memorabilia left from these series and TV series of Sima, there is still room to present writings and criticisms and different opinions. A situation that seems to be inevitable in the era of financial transactions that have arisen in the field of music titles and of course in its moral limits, the titles produced in this way cannot be like the music of the titles that were produced in the 60s and 70s. The public mind should last except in the form of exceptions that cannot be relied upon to be on a clear and purposeful path.

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