How do puppet shows become popular? / “Children’s Network” tries to create entertainment

Fars News Agency – Radio and Television Group: The small network show series became an excuse to write a few lines about the cultural products of the national media in which the vacancy of such programs was felt.

We know that television programs have declined in recent decades.

One of the most important reasons is the lack of needs assessment and the conformity of the content and form of the programs with the target audience and the cultural and social distance that most of the productions have from the everyday culture of the society. The genre of the work, the characterizations, the richness of the content, and the intimate relationship with the audience all make an impact and even create a work in the heart of society.

Puppet shows can play a significant role in the cultural return of society to national media productions by using a wide range of linguistic possibilities and exemplary and imaginative characterizations.

Small Network is one of the few radio and television entertainment programs in recent years that has not aired more than a few episodes.

In this program, several dolls consisting of a crow (Sarmeh Khan), fox (khaki), mink (button), bat (shebrang), fish (shoe) that symbolize the earth, sky and sea enter a human world to Support him.

Unlike always here, nature is the subject and man is the object, we know that one of the main and universal concerns today is natural resources, human survival depends on the nature of the earth and on the other hand fertility and life on earth depends on human behavior with their natural resources , Therefore, this is a matter of mutual support, in which the program makes an indirect and subtle reference to the role of nature protector.

But what engages us at first glance is the different characters of these animals with their pleasant language that gradually enters the world of the viewer, the stories revolve around our daily lives and the characters are tangible in the real world in terms of their mood and behavior characteristics. And this makes the audience easily communicate with the characters.

But apart from the fun aspect of the small network collection, the program is made up of a few very notable items, which try to address the effects of social life through cultural and historical elements that are produced in programs produced in this genre. Less considered.

In an attractive school item; I see several animals together that have nothing in common but have a common goal (the acquisition of knowledge), so it symbolically provides a platform for reproducing a culture of pluralism and compromise.

The bathroom, which is a narrative of an old subculture, beautifully with folk songs, shows a space that, although abstract for today’s generation, is a familiar spatial and cultural element for previous generations that we can learn about from grandparents. Let’s hear a lot of stories.

In another part, two springs named Keshani and Faghani say with a sweet and delicate expression of their problems and shortcomings, the sweetness of words and the bitterness of the position of the springs have created a disproportion that is the basis of comedy, so although the audience He laughs and entertains, but uses this language (humor) to draw the audience’s attention to the vulnerable class of society.

In addition to the entertainment dimension, which is the obvious and intrinsic function of television productions, this series also considers cultural and indigenous conditions, and language, as the basic element of any culture, shows its importance more than anything else in media productions. The type and degree of communication that the audience makes with a work in language or even higher with their accent is in no way comparable to foreign cultural products. Even if those works have many possibilities to impress the audience.

When it comes to national production, the focus is generally on the economic dimension of production. Although economic prosperity is one of the most necessary steps in development, it can never be achieved without cultural support.

Culture, based on its climatic and linguistic nature, is based on the historical pillars of a country or geography, and is therefore heavily dependent on the narratives of a generation, orally, in writing, and in the media.

Meanwhile, the media productions of each country have a fundamental role in repairing cultural gaps on the one hand and the birth of new values ​​on the other. But the means of conveying concepts must be chosen correctly and the current language in the daily life of the community must not be ignored. So from the choice of clothes to the slang terms used in a program should be consistent with the world of the viewer.

Do not forget that the national media must take into account the taste and atmosphere of the audience in its productions, in order to attract the audience in the first stage and then create the potential for families to be their first choice among the many attacks on world productions, their national media. .

Culture as a living and dynamic entity is constantly threatened by other cultures as much as it is alive through internal cohesion and unity.

If we want to extend the law of the conflict of survival in nature to culture as a social phenomenon, we have not gone too far; When a culture loses its constant linguistic and temporal dynamism and revival, it paves the way for the influence of other cultures.

Therefore, one of the main missions of the national media is to create and spread a sense of national unity, regardless of language, race and ethnicity, within the borders of a land, which according to the existing conditions in society is necessary to produce content that takes into account this The cultural principle can make the audience laugh and entertain them for a few hours to take pity on the inevitable worries and stresses of these days.

A small network while reflecting the cultural values ​​of our country. Also, the repeated emphasis of the Supreme Leader of the Revolution on the need for national production and in contrast to the cultural influence of the national media further binds him to turn to different productions, local and with international standards.

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