Cinema and theatercultural and artistic

Is the new series “Cyrus Moghadam” successful? / Trying to create a balance in “Island”


Fars News Agency – Radio and Television Group: The name of Cyrus Moghaddam, due to the large number of colorful series that it has brought to the camera so far, in the first place is a promise and guarantee for watching a series with acceptable standards and spectator-friendly characteristics. The viewer, who has long had the power of choice and is so seen and polished in the face of different works of water, that he can distinguish a mediocre or weak series from a well-made series.

Just as the popular series like “Capital” had its own feedback in each series. Everywhere he goes, he is rejected and during the weighting style by the viewers, he gets different scores for each season.

“Island” is Moghaddam’s new taste test on the home theater network after “Sleeping”, which did not take much, and on the contrary, has taken better steps in terms of direct and explicit communication with the audience. A popular love story based on sub-narratives related to the main story, including money laundering, hidden economic activities, conspiracies and family conspiracies with financial motives, etc. However, after five episodes, these stories have not yet fully converged. The romantic aspect is not coordinated with the enigmatic aspects and the Chinese conspiracies of the characters seem to be formed in a different way from each other.

However, there are serious criticisms of it, which seem to have been taken lightly by superficiality. In designing the mezzanine and decoupage, Moghaddam tries to avoid the complexity and unusual movements of the camera that we have seen in most of his works, and to depict it with the correct perception of the target audience, along with its narration. An action that, although contrary to his familiar style and reduces the visual quality of the series to the first experiences of this director and reduces its visual surprises, but partly due to the disappearance of large and sometimes annoying visual exaggerations, is suitable for narrating this series. .

Apart from the story, Moghadam has also tried to distance himself from the usual trend in TV series in selecting and directing his actors. For the creators of the series, as a commercial work that, in addition to the necessary charms, must also consider the issue of return on investment, the face, fame, popularity and personality of the actors have been the main priority. At the head of the cast is a figure like Mohammad Reza Forootan, who, although he has not been able to stabilize his position as expected in recent years, is still a movie star. Humble has a mysterious introversion in the role of witness Shahang, and the type of dialogue and the way he looks are thought in line with the current conspiracies in the text of the series’ story. However, sometimes this method is exaggerated and derailed.

Meanwhile, in order to place carbald actors such as Akbar Zanjanpour, Bita Farhi, Hesam Manzoor, Hengameh Ghaziani, Behnam Tashkar, etc., along with well-known and selected actors such as Mitra Hajar, Mehdi Ahmadi, etc., in fact, to give weight to the surface. It has been a serial game.

The most important point, however, is the choice of the singer of Makanband, namely Amir Maqareh, which is a great risk for the creators in this work. Both in terms of marketing demands and homosexuality, the role is well matched with the role assigned to it. A review of the promotional videos released from the screenings of some episodes of the series, apart from being a good trick to attract attention, shows the artist’s ability to attract viewers, and of course on the island, his encounter with a lot of experienced actors and crushed bones from difficulties. It is his work. As in the recent episode of the “Island” series, we see a humble conversation in a sequence. Humble, of course, due to his numerous experiences, did not have much difficulty in dealing with such situations, and he played this sequence by mastering it, and it was even possible to reduce the amount of slipping and making mistakes in front of his teammate. However, in an obvious improvement over his game in the first episodes, the rhythm of the sequence and the requirements of the objective and mental manifestations of the challenge with the facing character are cleverly understood and he has come to his feet. Shahang’s senior’s cold and ambiguous glances, in conjunction with the meaningful dialogues written for both actors in the sequence, contrast strangely with the witness glances and subtly signal the height of the differences in the sequel.

At the same time, Maqareh has tried to show the necessary flexibility in romantic scenes, and his charisma has helped to establish the relationship between the girl and the boy in the story. However, it remains to be seen how the article can come out of this proud test and whether it will be possible for it to continue its presence in acting at all or not. The above have not been successful.

Regarding casting, of course, we can criticize the presence of Kazem Siyahi and Omid Rouhani, who have recently played in most TV series or platforms, and this volume of their colorful presence is not very pleasant, and of course the senseless play of Elsa Firooz Azar. It has an original, but it seems that it is repeating its games in Tahmineh Milani’s films!

We said earlier that the stories have not fully converged. This objection is also included in the general composition of the actors. This means that there seem to be shortcomings in creating a single whole. The genre of some sub-actors has nothing to do with the generality and ignores the rules of the genre. Sometimes he makes comedies in single behaviors and disturbs the current atmosphere.

In this regard, it can be said that Moghaddam is not focused enough on making the games uniform, which means using the ability of each actor to maintain the drama framework, as if he has devoted the most time to guiding and convincing more famous figures.

With all these features, the new Moghaddam series has been released at a time when platform series are in close competition with TV examples. However, activists in this field should be aware that the audience is changing their taste every day and at any time, and if they do not find a quality product that suits their taste in this market, they may not be happy with it soon.

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