Javad Ensafi: You can make people laugh with pasteurized blackmail

According to Fars News Agency, Javad Ensafi, a TV and theater actor who is currently appearing on the stage in the black play “Rakht-e-Shahr”, said about this theater: “The story of the play dates back to Ahmad Shah’s time and takes place in a laundry room.” The first feature of this show is the location of the story. We have never had such a thing in a black show. Note that the laundry is a special place. There are people out there who both have poor financial status and the ability to do a lot of things.

And he continues: It is very important that we see a series of women who have abilities and are also physically and mentally strong in their work environment. These women are physically strong because they have chosen the hardest job. On the other hand, Ahmad Shah also takes refuge in this place and everything happens in the laundry. It is an interesting place.

Insafi, who has authored two books, “Women’s Festivals and Plays” and “Black Games from a Black Man’s Perspective”, considered the integration of women’s plays and black plays as one of the important and creative features of this play and added: “The goodness of women’s plays to this They are all short. I have two books about women’s plays that my wife (Forough Yazdan) and I wrote. In one there are 70 plays and in the other there are 72 women’s plays. Because they are short, they allow several female short plays to fit into the heart of any subject; Depending on their adventure. Mr. Ali Yadalahi has used three or four of these plays very well and correctly.

He stressed the importance of rhythm and music in Iranian plays, noting that the director’s view was that apart from the joyful themes of women’s plays, we still lack rhythm. So during the rehearsals, we helped each other to add the necessary Iranian rhythm and blackjack space where necessary. Eventually, different moments became a happy and original Iranian rhythm that the spectator enjoys.

“The King’s Laundry” is a pasteurized blackjack

Ensafi stated his reason for accepting the play in the play “The Laundry” as saying that no obscene words are used. He added: “This is one of the features of this work.” I knew that Yadali was not a fan of this kind of work either. Personally, every time I do something on stage, they say that justice has brought a pasteurized black play on stage. Yes. We can pasteurize and make people laugh and at the same time communicate with people and talk to them. By playing blackjack, we can tell people that we have an important word behind every moment of the performance.

The actor of cheerful plays emphasized: In the play of the King’s clothes, all our efforts have been and are to have a clean and unadulterated work with situations that people understand. A job that does not use any obscene language and makes people laugh and criticize at the same time.

In another part of the conversation, the writer and theater director added a new brigade that has never been in a black-and-white play and explained: Yadali has added a role to the play that he can’t talk about, or rather; We do not want to say that he is dumb, but he can not speak correctly. However, the viewer understands very well what he wants to say. This role is the only one that remains when the laundry is brainwashed. He is an interesting character. It is a new brigade and we have benefited a lot from this role in the work. The spectator accompanies him and his professionalism, laughs at his professionalism and has a good relationship with it.

He explained how to criticize the current conditions of society in the play of blackmail: Blackmail is the only play that does not know time and place and can break time and place. Therefore, in its own time, it can escape to the present and refer to the current conditions of society. For example, in this work, it is the time of the story of Ahmad Shah’s reign, but when, somewhere in the performance, in explaining the weakness of the people, we say that they did not give their subsidies, we break the time. Now the king says that he does not know what the subsidy is, but he has taken the necessary explanation for the reason why people are thin. The various themes of the day fit into the black and white show and fortunately can break and change time and place.

In the end, Insafi mentioned the simplicity of all the executive elements in the black theater as a general and remarkable feature and emphasized: everything in such an Iranian play can be simple. Elements, decor and clothing can be the simplest form, but people understand it and understand its meaning.

The play “Rakhtshorshah” directed by Ali Yadalahi has been staged in Jafar Vali Hall of the Altar Theater since November 11th, and its performance will continue until December 4th.

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