Mr. Khazai speaks beautifully, but in practice they act like ignorant extremists

Charso Press: Cinema critic Mahmoud Gabarlo says about the recent smuggling of films: “Apparently, the game was supposed to be a win-win for the producer and the film organization, so that each of them does not need to respond to the protesters and opponents, but its increasing number shows a behind-the-scenes plan to escape to Jello has a film organization and producer. The producer gets his capital by creating opposition, and the film organization closes the mouths of its opponents without stirring the water in the heart of the system and the story of who was who was who was I was not repeated. But this is an old and outdated plan that has been repeated many times in the world of politics and culture and all its secrets have been revealed.”

He continues: “This two-sided and apparently hidden policy severely damages the strategy and policy-making of Iranian cinema, laws and councils become meaningless, and all strategic words are ridiculed, and the way to produce different works or to The term underground becomes simple and easy. The era of this black game and hidden and open duality of movie game politics is over. Clarification in presenting the correct cinematic strategies and bringing filmmakers out of indecision and wandering is the way to save Iran’s intellectually bankrupt cinema today.

He says about the difference between the appearance and the inside of the leaked movies in the cinema: “The movies are apparently leaked, but I think they are deliberately placed in the Internet system, social movies are so bitter and critical that they were always from all spectrums in Iranian cinema and This is the essence of social cinema. Or a film like “Subtraction” was not bitter and biting at all, but was entertaining and educational, but it was placed on the home network for no reason and after creating a wave of bans, these moves show the weakness of the intellectual strategy of the cinema officials who cannot, with authority, raw opponents. convince themselves, and on the other hand, they don’t want moviegoers to stand in front of them until their time ends! I don’t know why Mr. Khazaei speaks beautifully and optimistically in his speeches and statements, but in practice he behaves like immature and ignorant extremists. In the meantime, three groups have lost: the audience who is interested in cinemas but finds the cinemas empty of these biting but instructive social films, the people of the cinema whose cinema identity has been distorted and the Islamic Republic of Iran, whose officials have been shown to be empty and empty by this move. It has the right thought and thinking in front of modern cinema technology.