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“Paris Trilogy” goes to Iranshahr / Danger of becoming an amateur in Iranian theater



Ayub Agakhani announced the performance of the play “Paris Trilogy” at Iranshahr Theater and expressed concern about the amateurization of Iranian theater due to the withdrawal of professional artists from the theater.

Theater News Base: Ayub Agakhani, writer and theater director, said about his latest activity: “After 2 years of waiting for 18 آذر ماه I will stage the play “Paris Trilogy” in the Samandarian Hall of Iranshahr Theater. Considering that the reactivation of Iranshahr Theater was suddenly announced and I was also informed because جزو I was the applicant for this hall in 1999, I can perform Show me In December, I did not have much time to prepare the project for which I had applied to Iranshahr, because that show needed to be pre-produced at least twice. Month On the other hand, it was like nostalgia ام It was too much for the theater, I did not turn down the theater offer for the opportunity it gave me, and I was scheduled to perform a more accessible play with two actors. Of course, in order not to disturb my colleagues in this situation, I will meet my dear Vahid, whoever he is Call Labik Guyan has been responsible for my collaboration, we will play a long single in this show.

Director of the show «North From North “Three,” he stated گانه Paris »Among the adaptations I had, it is a lovely work for me because I like the play I wrote from the French version because I consider it a work of social relations, even though it takes place in Paris and the approximate days of Christmas. . Also, the way I deal with the concepts hidden in the story and the oscillation between seriousness and humor has made the “Paris Trilogy” worry me and I try to go on stage as best I can. I hope the audience will like this play as the latest production of the “Folder” theater group and without fear of coronavirus Warm up our hall.

He reminded: “The biggest concern I had in talking to the agents is that we have to keep the theater alive anyway, either with a successful and spectator work or with a show that may not have a good economic experience, but there is no other way.” We do not have it, otherwise we will soon see that all theaters are available to those who were more daring than us, but do not have theatrical experience at all as much as we do, so the whole Iranian theater becomes an amateur theater, and this is not a pleasant event. Fortunately Each The children of the “Folder” theater group, even though they knew that this work was to be produced with limited personal capital, shook my hand warmly and stood by me.

The director of the play “Holy Land” said about the danger that threatens the Iranian theater: I want to make a great declaration of danger for the Iranian theater. Because these days, many of my peers are not very much in the theater and hope that the situation will change so that they can be in the space. Safer Return to the theater, but I think we can not wait for the theater to be 100% safe and the economic conditions to be restored in a reasonable way until Cloud and Wind And the fog and the sun and the sky start working and we can work in the theater. Because now it is our responsibility to bear part of this danger so that, God forbid, the formation of the Iranian theater is not lost enough to Revival No action can be taken.

He stated: Goals I’m like your veterans in the ’70s with the younger ones and the students and the newcomers ها They are helping each other move forward because each of these groups will occupy the Iranian theater alone, and a serious danger awaits the theater. It is because of this sense of danger that I even try to be among the theater activists by performing an intimate and compact play, which in the end I either regret my work or I am happy and happy with the next work. ام I will think that of course we can not judge the future from now on.

Qakhani also explained about the performance of the play “Yalda Night Revelation”, which will be staged in Rumi Hall from today: During the past year and a half, from June 1999 until today, I have been teaching theater to about 18 students. We decided to make a play with the same group, and it was decided that the text of the play would be the same Based on Write students’ own lives and personal experiences. the door Continues Each of the children was kind to me, considered me a Muharram and inflamed me Most They described the events of their lives to me, and then they entered the second stage, which is to draw the rosary thread between these narrations, select the useful parts, and finally Conversion I came up with a coherent drama so that it would not seem like the play was made up of several people.

He continued: Helen Bahrami is a permanent assistant ام Who is also known as a writer in the theater group “Folder” with seriousness and love Based on The data I provided him began to write the text, and eventually a text was born that has been rewritten 12 times to date. Then the rehearsal and preparation stages of the play began with 15 of the 18 students who were with us from the beginning.

The director and founder of the “Folder” theater group, noting that he staged the play without any support, added: “A play that goes on stage for me.” جزو It’s the dearest and most original work I’ve done in all these years. In fact, “Yalda Night Revelation” is a strange love game غریب It counts with the theater because on the one hand we all missed performing in the theater and on the other hand we did the work from scratch with the intention of teaching and being a great teacher. وار I started while preparing for the show was full of serious challenges for me as to whether I could even direct those who had never been on stage. “Yalda Night Revelation” without any expectations and support and completely independently and only with the accompaniment of Amir Hossein Hariri, the director of Rumi Hall, who provided us with this hall, will be performed from the third آذر ماه Begins.

At the end of his speech, the director of “Rag” and “Eclipse” said: What goes on stage is a mirror of the whole view of behavior. Teacher I’m in the theater because these guys ask me how to watch drama, write plays, play, ethics to have And interacting with each other in the theater, making a commitment, and even on stage Way They learned to go, so “Yalda Night Revelation” is a real child for me, who can naturally not be so popular or loved by the audience; Like a father who sees his child as the most beautiful while others may not have this judgment. This show is from the third Wednesday of Azar to the 18th آذر ماه At 17:15, he will take the stage in the main hall of Rumi Hall.

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