The press conference of the movie Beautiful Lies In the future there will be no borders

According to the film reporter of Fars News Agency, the 42nd Fajr International Film Festival was held today with the screening of the movie “Droghoi Ziba” which was a joint production of Image Cinema and Maximum Bangladesh Yod at the Media Palace in the presence of media people.

This year’s sessions of Fajr Film Festival started with the performance of Mohammad Reza Magdasian. Editor Kavos Aghaei, actor Shmon Tarouq, actor Jaba Ahsan, writer and director Morteza Atesh Zamzan, writer Mamit Al-Rashid, composer Fawad Hijazi, actor Rickita Nandini Shoumi and sound engineer Farmarez Mokhtari were present at the press conference of the movie “Droghai Ziba”.

In the beginning, Ataz Zamzam, the director of this film, said why he wanted to deal with a Muslim and Buddhist family in Bangladesh: When I entered Bangladesh to make a documentary, I wanted to narrate a story from this country. A colorful and attractive country that has a strange transportation system.

The author of this work, expressing his happiness to be in Iran, called Iran his second country and spoke about attending the university of this country. Referring to the fact that he performed open heart surgery in this case, he said: I took my heart from this country.

He added: In this project, from the side of UNESCO, Murtasi Ataz-Zamzam has discussed the charms and beauties of Bangladesh, which have received less attention so far.

Jabaya Ahsan, who is a well-known artist and one of the best actors in India and Bangladesh and has received many awards, said about his role in this film: I am really happy to be present in this festival. This country loves movies and is cinema-oriented. Ever since I was young, I wanted to be in Iran and meet Iranian filmmakers up close. Whenever there is talk about movies and cinema, it will definitely be about Iranian cinema. It is very difficult to film in Bangladesh because it has 180 million people and it makes production difficult.

He was asked which of the Iranian artists do you know and which of the Iranian cinematographers do you want to work with, Jaba said in response to this question: Abbas Kiarostami, Dariush Mehrjooi and Majid Majidi are my favorite directors and I follow their works. .

Pointing to the fact that it has become difficult to make a film in Iran and it is no longer easy to make a film in Iran, Ataz Zamzam said in response to the question, “How did you come up with the character of this deaf child?” I felt I was more familiar with deafness and I researched it. And I came to this character.

Fouad Hijazi, the composer of this work, said: Directors always surprise us in their films and we come across issues that we may be accused of. But in Bangladesh, this melody was not far away and it was also effective. The director of this work has used a lot of Kiarostami shots in the work and created beautiful scenes, there was not much music in this work.

In response to what was the reason for choosing the title of the film, the director said: In choosing the international name, we came to Fereshte, but since this name was registered in Iran, I chose Beautiful Lies because it was mentioned several times in the film.

He added: We made a Bangladeshi music for the work, which was not ready, and the original music will definitely be replaced later.

He said about the fact that Bangladeshi films are very dark: We made an attractive film and depicted everyday life and tried to have a human story and show the interaction of people with different religions together. We tried to do a cultural work and narrate a universal humanist story.
In response to the question why he chose Bangladesh, Atazzamzam said: I do not accept borders and I am sure that there will be no borders in the future and what is important is humanity. This movie was shot in 21 days under the most difficult conditions.

Al-Rashid said: In this film, we wanted to make people feel good.

Mokhtari, the sound operator, said: “Bangladesh cinema is burning movies. Why is the sound of the horn playing continuously in this city and it doesn’t stop?” This was very difficult for us.

Mr. Editor said: I edited the work with the presence of Mr. Atashzamzam, and even though the language of the film was different, I had no problem editing the work.
Farooq, the actor of this work, said at the end: I love Iran and I have been to Iran four times and I have many friendships with several directors and I love Iranian films and cinema. Iranian films are realistic and I find it interesting how Iranian actors play so many different emotions in the moment.

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