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Under the pretext of chemical withdrawal from Fajr Film Festival | A repetitive and marginal cancellation!


Fars News Agency – Cinema Group: Masoud Kimiaei is an important figure in Iranian cinema, both when he made “Caesar”, “Deer” and “Journey of the Stone” before the revolution, and after the victory of the revolution, when he made “Lead”, “Snake Tooth” and “Protest”. Making. But instead of creating space with his films, this veteran director has been patching himself up for a few years so that he can break the equations and make a name for himself once again.

Even outside the cinema, Kimiai made baseless comments that were controversial and marginalized.

Or recently held a painting exhibition with figures of several hundred million, which was artistically beginner.

But despite these bizarre claims, Massoud Kimiaei has had no success in cinema in the last decade and has tried to downplay his frustration by marginalizing him. Meanwhile, his son Polad Kimiaei has always accompanied his father.

It was about a decade ago that the movie “Crime” was produced in black and white and dubbed. The film did not belong to the present time, however, there were gaps such as the presence of Pride, air conditioner and telephone card in the film.

The slow and deadly story of “crime” also caused the audience and those interested in chemical works to be dissatisfied with it. The insistence on playing the lead role by Kimiaee’s son, “Chemical Steel”, was another weakness of the film, but Polad told a news conference that he wanted the audience to get to the heart of the film.

* Disputes over the presence of “Polad”

After “Crime”, the most marginalized chemical film can be considered “Domestic Killer”. The producer of the film believed that the presence of Kimiaei’s son in the film was high, and scenes in the direction of singing Kimiaei Polad were later added to the film, which were not previously in the script. “Steel is an actor,” Kimiai said. “Whenever they want to insult him, they call him a chemical boy.” The chemical dispute with its producer Mansour Lashkari Ghouchani culminated in a film press conference at the 35th Fajr Film Festival, which can be described as the most controversial meeting of the last decade.

After this controversial press conference, Kimiaei did not attend the press conference of his next film, “It Became Bloody”. The reason for this absence was stated by Shahab Hosseini in the press conference of the movie “Shin” about the chemical character. But it seems that Kimiaei had made his decision before the festival, and for this reason, he had a private screening at the Astara Cinema in Tajrish, where he also attended.

In response to the Ukrainian plane crash, Kimiai announced that he would cancel his film at the festival to express his sympathy. After these remarks, Shahab Hosseini had said: “I can not remain silent that a veteran cinema master, whose works have been dealt with sadly every year, is making a film this year that he knows will be reacted negatively, and for this reason, he pledged the spilled oil to Imamzadeh.” He lays the foundation stone, the result of which is nothing but divisiveness, and leaves the rest in a moral ambush. This is the same injustice. Why should one be so selfish that one does not pay attention to anyone?

Behind the scenes of the movie Treason

* A smart cancellation ?!

Now, after two years, Masoud Kimiaei has participated in the Fajr Film Festival with his 30th film “Treason” and of course he has announced his cancellation again! Kimiai’s son, who has played a role in this film – like his father’s other recent works – announced his resignation on Instagram and wrote Shahab Hosseini’s name in a hashtag to reinforce the rumor that Hosseini’s presence among the judges caused this resignation. Has been.

However, the films made by Kimiai during the last decade have not been able to satisfy the viewers. According to some film critics and experts, this cancellation by the 80-year-old chemist is clever; Because he is afraid that his film will be rejected by critics and members of the media and critics.

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