When TV programs slowed down the business of the business / Zarabi’s narration of the construction of “Health Neighborhood” and “Go and Come Neighborhood”

According to the Fars Radio and Television Reporter, Morteza Zarabi, an actor and film and television personality, was the guest of the nostalgic section of “Serialist” on the evening of October 6, 1400 with the performance of Pedram Karimi. The part that was dedicated to the series “Mahalla Boro Bia” directed by Darvish Modabian. A series that went on TV in 1982 and was welcomed by the audience, especially children and adolescents.

“I started my career with theater and then came to television,” Zarabi said of starting his artistic career. In the late fifties, there was a section on radio and television called the Workshop, where I worked. After the revolution, as the production of the organization increased, they needed more technical factors than actors; I came to this section because I had also taken training courses in makeup.

He stated: “After professors such as Bijan Mohtasham, Abdullah Eskandari, the late Valdebeigi and Jalaluddin Moayyarian, we were figures like me and Mr. Ardestani, the second generation of TV makeup artists.” Thus, I was an employee of the make-up department of the Radio and Television Organization for about 59 years, and until 2006, when I retired, I worked both as a make-up artist and an actor.

Asked which of his actors and actresses he is more interested in, the 65-year-old artist said: “Art activities are related to people’s interests, and I liked both.”

I wish Ferdows Kaviani good health

Zarabi explained about appearing in the series “Mish-e-Abad” in the early sixties: . In fact, we were a group and “Like Abad” became our first TV collaboration. The series, which was one of the first television series produced by the organization after the revolution, was based on proverbs and popular literature, which was directed by Reza Zian.

He also said about the reason for the survival of this TV series after about four decades: “In those years, serialization was very serious both for TV directors and for the artists and directors of a work.” That is, because they were one of the first serials after the revolution, something had to be made that was of high quality so that it could be considered a model for future work. Therefore, it was supported by the directors and the agents and artists took it seriously and worked with love.

Zarabi added: “Many actors and technical agents of cinema and television became famous after appearing in this series, and so-called several figures emerged from the heart of this series.” Mr. Abdullah Eskandari, who was the face of this work, became better known after the broadcast of this series. Mohammad Reza Aligholi’s first work was as a composer, and first-rate sound engineers such as Mr. Mirshkari and Mr. Asghar Shahouri, Mr. Parviz Abnar and Mr. Behrouz Ma’avian were active in this series and similar series of that time.

If it was not stoned, “Like Abad” would have 50 parts

He said: “Like Abad” was supposed to be produced and broadcast for fifty episodes, but unfortunately, after broadcasting 10, 12 episodes of conventional stoning started and the work was stopped and after that it was forgotten. In the following years, several other works similar to “Like Abad” were made, which were not successful; It was as if everyone thought that with a simple historical decor, such a series could be made if it was serious for us and had the right text and direction.

The veteran actor stated: “After” Like Parabad “, I also played in the series” Towards Simorgh “, which in each episode dealt with one of the greats of Iranian literature and culture. I also appeared in several tele-theaters of Rumi’s stories. In “Go and Come Neighborhood”, I was one of the makeup artists when one day Mr. Birang, the writer of the series, told me that I had written a role for you.

Many people only know me as an actor, but I have been as much a make-up artist as my hair
He added: “I have worked as a make-up artist on TV as much as my hair. A few years ago, a book was published about the productions of the Radio and Television Organization, and every three or four pages of my name were among the factors of a work. But many audiences do not know this and only know me as an actor because acting is a showcase and everyone sees it. Even in the sixties, it was said that the names of technical agents were not mentioned in the credits because they became famous, went to the movies and then asked for a lot of money and no longer worked for TV salaries!

Zarabi’s memory of Fereshteh Tayerpour’s live attention to child labor

Zarabi also said about the reason for the audience’s acceptance of the two series “Go Neighborhood” and “Neighborhood of Health”: “Until then, child labor was not taken very seriously and the works that were produced were not a fantasy attraction for children.” Until Mr. Nikkhah Azad and the living memory of Ms. Fereshteh Tayerpour came to television. They said that we want good text, good production of first-rate actors and actors, and good budget. Because serial production is an important issue for children. This also happened in the cinema of the sixties, and directors came to work who cared about Kokan, but unfortunately in the following years, the cinema was captured and commercialized.

The film and television actor stated: In “Mahalla Behdasht”, which went on the air about two years after “Mahalla Boro Bia”, new actors such as Fatemeh Naghavi, Fatemeh Motamedaria, Hossein Panahi and Reza Roigari were added, while We also saw the presence of a number of dolls and it was welcomed.

When the broadcast of “Health Neighborhood” and “Brobia Neighborhood” slows down the business of understanding!

He added: “I remember in those years I used to go to Perke on Friday mornings for sports and walking.” One of the shopkeepers there told me that since these two series go on the air, Friday mornings are no longer as crowded as before and our workload has slowed down!

“Serialist”, produced by Mohammad Barikani and Mojtaba Faraji and performed by Pedram Karimi, is a work of the History, Culture and Art Group of Channel One, which airs every Thursday at 11:15 PM on Channel One.

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