cultural and artisticradio and TV

The promises of acting classes are simplistic / training in a few days! Mehr News Agency Iran and world’s news



According to the Mehr reporter, Amin Tarakh, an actor in theater, cinema and television, was the guest of the “Open Brackets” program on Radio Namayesh, produced and edited by Maral Doosti, on Friday evening, January 1, and spoke about acting education.

At the beginning of this conversation, Tarakh stated referring to the necessity of acting education: whether this art needs education in principle or not, the answer of which is positive and very clear. The art of acting, like any other art, has both science and art and creativity; So it’s natural to need to learn and train.

He continued: “If it was not for this need, and if this need had not proved itself properly, in 1975, for example, in a society like the United States or France, about 70 or 80 universities and colleges would not have been active in this field.” Add to this the many free acting colleges and colleges that are primarily active in the field of acting education.

The film and television actor said: In our country, acting education has been in the form of academics. In the last three decades, it has been proven in principle that acting education is one of the basic needs of cinema and theater, but without any intention or opinion about the general policy of the Ministry of Guidance or cultural officials, and without complaining to our colleagues. , I feel that maybe in the last decade or so, the past decade has been a bit careless and the necessary sensitivities have not been shown.

The actor of “Aghazadeh” and “Aghma” series criticized some acting education institutions and said: “I mention without mentioning the names that they are educational institutions that do not have a regular, well-thought-out and calculated academic program, and in any case they claim that even Short-term courses have four days and short-term courses have a week, and sometimes they suggest that we take our friends to professional fields after a few days or months of training, which I think is a bit exaggerated, simplistic and negligent.

He clarified about the supervision of institutions over these schools: Of course, it is natural that the Ministry of Guidance has its own supervision, but there are many who turn it into a means of making money and it has not been successful, they are not and will not be because this category needs He has a knowledge and it is necessary to identify what subjects are important in the field of acting education.

The “Lost Innocence” actor went on to ask a few questions: Has the strengthening of the sense been identified in the institution that claims to teach acting? Is there an analysis for imagination and focus? Has he planned on sound, expression and cultivation of these two categories? Does a teacher have the ability to teach this? Or have they basically identified and prepared for the basics of acting that exist in improvisation in acting education? Is it prepared for cinema and acting in front of the camera and many courses that are relevant and legitimate and necessary for an acting student? How can all these materials be taught in four days?

In the end, he said about the promises of these institutions: I know friends who promise to attend a four-day class or promise and have a short one-week training called holding workshops, which are It can be helpful, but it does not make it all.

.

Leave a Reply

Back to top button