The sacred defense genre has been localized but not theorized

According to Fars News Agency, the first meeting on the integration and interaction of revolutionary cinema and the university was held at the same time as Student Day in the garden of the Museum of Revolution and Holy Defense.

In this meeting, which was attended by Seyyed Mohammad Ashar Naderi, head of the Fatah Narrative Cultural Foundation, Seyyed Mohammad Hosseini, director of the Revolutionary Cinema and Holy Defense Association, Manouchehr Shahsavari, director of the Cinema House, Mohammad Rezapour Ebrahimi, chairman of the Economic Commission, Habib Ilbeigi, deputy director of the Cinema Organization Accompanied by a group of filmmakers, deans of art universities, professors, artists and filmmakers, they addressed various issues and concerns in this field.

* A new movement to review the sacred defense cinema

At the beginning of the ceremony, Mahmoud Gaberlou, presenter and expert of the program, while expressing satisfaction with the holding of such synergy meetings and interaction with academics, referring to the forty-year history of Islamic Revolution cinema, said: The manifestation of its civilization was a way for many cinema lovers to adapt to the ideas of the Islamic Revolution, and after the order of Imam Rahel, the Supreme Leader of the Revolution also considered cinema as a superior power that shows both reality and truth on the screen. And naturally, in these forty years, those interested in the idea of ​​the Islamic Revolution were able to create new developments in Iranian cinema.

The film critic and journalist also said about the review of cinema performance methods: “Post-revolutionary cinema is indebted to the new ideas of the Islamic Revolution under the leadership of the late Imam and the leader of the Islamic Revolution; But after forty years, it is necessary to make a fundamental review of the functions and activities of cinema in the fields of thought, theory and practice, and I am very pleased that the Association of Revolutionary Cinema and Holy Defense started this new movement to review the cinema of the Islamic Revolution. Rely on the young generation with ideas and thinking and, of course, need intellectual support.

* Opportunity and capacity to discover young talent

Continuing the rare meeting, the head of the Fatah Narrative Cultural Foundation welcomed the audience and pointed to the expectations from the Revolutionary Cinema and Holy Defense Association. , The flow of culture and art and the flow of science and academia, so it seems that if the interaction between these currents is not formed, we will not achieve the goals and specifically the association is expected to work to create this relationship and interaction and synergy between the currents. Of course, one of the ways that seems to be possible and operational is to hand over part of the missions to the student movement, and naturally, the Revolutionary Cinema and Holy Defense Association has predicted productions in the next 5-year plan, which will be produced with the help of the student movement. Will eat and will certainly reach the glorious works.

The head of the Fatah Narrative Cultural Foundation also referred to the student events planned in the upcoming programs of the Revolutionary Cinema and Holy Defense Association and said: “Holding student events in a very serious way to identify and discover talents and help to find and address talents.” Young is one of the opportunities and capacities provided to the Association of Revolutionary Cinema and Holy Defense.

He also criticized the theorization of the sacred defense genre for the transfer of knowledge and experience, saying: “This genre has been localized in our country due to eight years of sacred defense, but unfortunately we have never been able to turn it into a generalizable and expandable model.” Loved ones who were active in the sixties and seventies remained, and this transfer of experience and knowledge does not occur except with the help of the academic movement.

* Forming a joint working group with the Fatah Narrative Cultural Foundation

“Mohammad Rezapour Ebrahimi,” the head of the economic commission of the parliament, while pointing to the readiness to support and support the cinematic works of the Holy Defense and the formation of a joint working group in this field, said: We have established that the main discussion of these works is related to financial and budget issues. We are not a committed artist and there are many cinematic subjects, but the main topic is budget and support issues, and I am proud to announce that the parliament will provide any assistance in this field. At present, we are ready to be present in two topics. The first is issues related to the current budget of the country. Praise be to God, the Fatah Narration Foundation has no secrets. Supporting these works The second issue is the discussion of large corporations that exist in the country, and it is possible for the parliament to invite them to participate in the joint meetings and working groups that I presented, so that plans and programs to support the works of defense. Holy be presented and operational. All in all, we are ready to be the link between the sacred defense artists and the executive apparatus and institutions.

* Support for students should not be authoritarian

“Alireza Golpayegani”, the president of the University of Cinema and Theater of the University of Arts, as the first speaker of the ceremony, fortunately the beginning of such meetings and meetings, said: I value and approve of each of these activities. On the other hand, I know that it does not make the facilities and equipment of an artist, but I have seen less work of art that can be a valuable work without the support of facilities and equipment, we can Let’s do what we did in previous years at the university. I hope these supports are not authoritarian and allow the student to enter this category with his own opinions and ideas, because in the educational environment we need to trust them and allow them to make mistakes, because this is one of the mistakes he learns. I hope the Revolutionary and Defense Cinema Association May Muqaddas support the Seedling Festival, which has been held for many years, and help us as a sponsor.

* It is from communication and interaction that trust is formed

“Mohammad Ali Khabari”, the president of the University of Art and Architecture, while referring to the issue of building trust as one of the requirements for participation and cooperation with the university, said: “One of the problems we have in the field of art is the lack of participation of artists and academics. It is a prerequisite that can never be addressed, it builds trust through communication and interaction, and when trust builds, it brings with it participation. My goal is to articulate and clarify the goals of the relationship with the faculty, both with the student and the generation that has broken up. Unfortunately, we now have four generations between whom there is a rift. The student of the seventies is very different from the student of today.

* We are ready to participate in holding any scientific symposium

“Ramtin Shahbazi”, a university professor and vice chancellor for art at Soura University, while explaining entrepreneurial activities and activities at Soura University, said at the meeting: New generation and entrepreneurial universities are universities that need to bring the field of view closer to the field of practice. If this does not happen, we will remain in the classical universities. Entrepreneurial universities need to invest in fields such as cinema, which are expensive. The dissertation film production student would be very expensive Now imagine a bachelor’s student having to make four short films for a course.

The lecturer and cinema critic also criticized the traditional and old process of courses offered at the university and said: “Unfortunately, the university courses are very old and this problem is partly due to the Ministry of Science and partly to the mother universities. For example, even two history courses We do not have Iranian cinema at university, so we can not expect our student to know our cinema of the sixties and seventies, and it is natural that he is interested in Western films. Accept and we at Soura University are ready to hold any scientific symposium in a participatory manner.

* The field of culture is a field of dialogue

Manouchehr Shahsavari, CEO of the Cinema House, was another speaker at the ceremony. Referring to the flawed cycle of relations between the cinema and the university, he said: We speak, we must also explain the point of view of the mentality, reducing theoretical issues to executive affairs is almost our current tradition because we think that the field of view is useless, that is why our total relationship, whether by the government with the university or industry with the university And what is wrong with the university and the rest of the cycle? The first question is with what intention and from what point of view we are going to speak.

The film and television producer also continued: “In today’s borderless world, only culture and cultural goods can represent our national, religious and territorial identity; And nothing can contribute to national identity and authority as much as culture. The field of culture is the field of dialogue, not the field of interview.

* We must show our Iranianness to the world

At the end of the meeting, “Seyyed Mohammad Hosseini”, the director of the Revolutionary Cinema and Holy Defense Association and the director of the film group of the serial “Fatah Narration”, while appreciating and thanking the guests and professors present at the meeting, said: I consider the support and incentive packages, and in the field of undergraduate short films, we are committed to supporting thirty short films through this meeting. God willing, in the coming years we will see openings in the production and support of films.

Referring to the productions on the subject of the axis of resistance, the film and cultural director said: “I also believe that it is very lucrative in the field of resistance cinema, and if we think of foreign platforms and do not think of international sales portfolio, one of our most important solutions is the world.” It is being done, dear friends, it is not good for us to be the most important country based on resistance, but countries like China and India to make films centered on ISIS and Syria. I will end my speech with the words of Martyr Avini who said “the people of the world praise the individual because he is very American and they praise Kurosavar because he is very Japanese”. I think it is time to show the world that we are very Iranian.

Also present at the meeting were Mohammad Rezapour Ebrahimi, Chairman of the Economic Commission of the Islamic Consultative Assembly, Jamal Sadatian, Cinema Producer, Nasser Shafaq, former CEO of the Revolutionary and Holy Defense Cinema Association, Habib Ilbeigi, Deputy Director of the Cinema Organization, Mohammad Rahmati, Deputy Director of Development and Studies of the Cinema Organization. , Hassan Varasteh, director of cinema, Mohammad Ali Safour, director of cinema and animation department of Tarbiat Modares University, Zia Hashemi, producer of cinema, also presented their opinions about sacred defense cinema and university.

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